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Femme a la Cafetiere, La
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Series: New Television
Program: New Television
Date: 1991-01-01
Subject: Cézanne, Paul; Kabuki
People: de Haviland, Consuelo; Hanayagi, Suzushi; Wilson, Robert
Copyright Holder: Musee D'Orsay; I.N.A.; La Sept

Clip Description
"Acclaimed theater director brings movement to Cézanne's painting, reproduced in the studio for the camera. [Suzushi Hanayagi,] a dancer from the Kabuki theater, performs the role of the woman, whose slight, almost imperceptible, facial and body movements -- together with mysteriously animated objects and strange apparitions -- bring the painting alive." -- press release.

A spoon stirs a cup of coffee without the benefit of human assistance. An off-camera figure manipulates objects. The woman eats green candies. A giant rat head appears in the background. Finally, the woman exits and is replaced by a young woman. Lyrical music and exaggerated sound effects form the soundtrack by Hans Peter Kuhn.

The work is approximately seven minutes long and was broadcast as a segment of episode 609 (1990), and episode 108 (1991), of "New Television."

Series Description
The New Television Workshop originated at WGBH, a public broadcasting station in Boston, Massachusetts, in 1974 to support the creation and development of experimental video art. This experimental programming included dance, drama, music, performance and visual arts on video and film. As early as 1968, WGBH was committed to the development of video art through residency programs, with artists such as Nam June Paik, and the "Rockefeller Artists-in-Television" project. Many of these early works (pre-1974) were broadcast both locally and nationally.

As an umbrella for arts related programming, the Workshop included "Artist's Showcase, " "Frames of Reference, " "Dance for Camera, " "Poetry Breaks," and "New Television," as well as acquired arts programming. Individual works were created for "Visions," a series produced by WNET (New York), and "Alive From Off Center," a series produced by KTCA (St. Paul - Minneapolis). The Contemporary Art Television (CAT) Fund was co-founded by the Workshop and Boston's Institute for Contemporary Art (ICA) in the 1980's, to commission works by video artists. In 1993 the Workshop ceased production at WGBH.

See also: http://main.wgbh.org/wgbh/NTW/FA/TITLES/Femme170.HTML

 

No transcript is available for this record.