Program This episode of "New Television" features Bill Viola's "I Do Not Know What It Is that I Am Like."
Bill Viola's work juxtaposes images of animals, both wild and domestic, and natural environments with human activity as it takes place in an apartment, and during a fire walking ceremony in Fiji. Documentary-style footage is combined with staged events. Despite the piece's lack of a traditional narrative, it bears some relationship to nature works. The credits indicate that the work is divided into five named sections, but the beginnings and endings of these sections seem deliberately blurred. The juxtaposition of images, along with the title, suggests some comparison between human and animal behavior, but no single or clear relationship is defined.
Images included in each section are as follow: Il Corpo Scuro (The dark body): animals and natural environments are seen up close and at a distance "” The Language of Birds: exotic birds are filmed "” The Night of Sense: a man is seated at a desk in an apartment, studying books that seem to be on the subject of anatomy; a cat howls; the man moves around the apartment, eats a cooked fish, and makes a mug of tea; close-ups of objects in the apartment and a hatching egg are interspersed; the man leaves the mug on the table, and an elephant enters from behind a backdrop to remove it "” Stunned by the Drum: close-ups of dogs barking at the camera evolve into a succession of quick images that include zebras, moving cars, people, landscapes, and previously viewed scenes "” The Living Flame: scenes of a Fiji fire-walking ceremony.
Series The New Television Workshop originated at WGBH, a public broadcasting station in Boston, Massachusetts, in 1974 to support the creation and development of experimental video art. This experimental programming included dance, drama, music, performance and visual arts on video and film. As early as 1968, WGBH was committed to the development of video art through residency programs, with artists such as Nam June Paik, and the "Rockefeller Artists-in-Television" project. Many of these early works (pre-1974) were broadcast both locally and nationally.
As an umbrella for arts related programming, the Workshop included "Artist's Showcase, " "Frames of Reference, " "Dance for Camera, " "Poetry Breaks," and "New Television," as well as acquired arts programming. Individual works were created for "Visions," a series produced by WNET (New York), and "Alive From Off Center," a series produced by KTCA (St. Paul - Minneapolis). The Contemporary Art Television (CAT) Fund was co-founded by the Workshop and Boston's Institute for Contemporary Art (ICA) in the 1980's, to commission works by video artists. In 1993 the Workshop ceased production at WGBH.